Reviews

You are currently browsing the archive for the Reviews category.

Steve Carell and Anne Hathaway in Get Smart

It’s a recipe for disaster: take a current TV star and put him in a movie version of a classic TV show. It’s sure to disappoint both the star’s fans and fans of the old show. The script will be contrived, stuck between slipping in homages to the original and providing modern audiences with what they expect from current movies. The director is sure to assemble lots of other stars in supporting roles, to bring in audience members who aren’t fans of either the TV star or the original series, and they will end up being completely wrong for their parts. In short, it will be exactly the sort of summer blockbuster shit that nobody actually enjoys, yet somehow makes money.
Read the rest of this entry »

Indiana Jones and the Kingdom of the Crystal Skull

I had no idea what to expect going into Indiana Jones and the Kingdom of the Crystal Skull. I had seen the trailers and a couple of production photos, but I had avoided all of the early reviews. Typically I don’t mind know a lot going into a movie, but Indy is such an iconic character and a deep part of my childhood that I wanted to be surprised. So, after a 19 year layoff can Indy still deliver adrenaline and one-liners with equal skill? Will Spielberg and Lucas find a good way to restart the franchise? And will the adult version of me be as swept away as the kid was by the first three movies?
Read the rest of this entry »

Iron Man
Iron Man is just about everything a comic book movie should be. It’s funny, it’s exhilarating, and it’s got great characters. Robert Downey Jr. as Tony Stark is perfect. Gwyneth Paltrow as Pepper Potts is a perfect foil for Downey’s cocksure playboy. The Dude is very good as the menacing bad guy. And director Jon Favreau is so money baby, and he doesn’t even know it. If Iron Man is any indication of what we can expect from this year’s crop of comic book adaptations we’re in for a treat.

Rating: ★★★★☆

Josh Ritter live at Recher Theater in Towson, MD

I just got back from seeing Josh Ritter at The Recher Theater in Towson, MD.  This is the second time I’ve seen Ritter in the last few months, and if at all possible it won’t be the last.  Ritter commands the stage with almost reckless enthusiasm, sweeping the audience along through his evocative songs.  Behind him is one of the tightest bands you’ll ever see, locking the upbeat tunes into a hard groove and subtly adding presence to the ballads.

Highlights of the show included “Snow is Gone”, “Harrisburg”, a solo rendition of “Girl in the War”, the always amazing “Kathleen” (which included a 30 second group slow dance), and a version of “Lilian, Egypt” that ended with a disco sing-along, done in stages that represented major periods in American history from the 1860s to present. It’s hard to explain. I guess you had to be there.

Another high point was Ritter’s solo performance of a new song, which he announced as “Folk Bloodshed”. It was very much a Mississippi blues tune, with lyrics that incorporate the Stagger Lee story that’s so popular in the genre. A great new song.

If Josh and his band are coming anywhere near you, do yourself a favor and go see them. You won’t be disappointed.

Jack Black and Mos Def in Be Kind Rewind

I had high hopes going into Be Kind Rewind, and it managed to exceed them across the board. I expected it to be funny. It was exceptionally funny. I expected it to be quirky. It was fantastically quirky. I expected it to be original. It was exceedingly so. What more could you ask for?
Read the rest of this entry »

John C Reilly in Walk Hard:  The Dewey Cox Story
Anchorman. 40-Year-Old Virgin. Talladega Nights. Knocked Up. Superbad. It’s safe to say that Judd Apatow has had the Midas touch lately. He’s managed to either write/direct or write/produce films that range from completely silly to bawdily funny but grounded in reality. Walk Hard: The Dewey Cox Story is his latest writing effort, and it treads on new ground for Apatow: the musical. The spoof of music biopics like Walk the Line and Ray seems like perfect fodder for Apatow’s signature wit. But can it live up to it’s predecessors and fulfill the lofty expectations?
Read the rest of this entry »

Denzel Washington stars with Russel Crowe in American Gangster
As I’ve discussed before, American Gangster was one of my most anticipated movies of the year. Actors Denzel Washington and Russel Crowe, director Ridley Scott, and producer Brian Grazer all have award-winning pedigrees. The subject matter, the true story of a Vietnam War-era drug kingpin in Harlem and the cop assigned to take him down, is the type of story that Oscar seems to love. Is there any way a movie could live up to such weighty expectations?

For the most part, yes. The first half of the film has some pacing issues and drags a bit. But the second half more than makes up for it. The story is engaging, the characters believable and complex, and the performances are impeccable. Both Washington and Crowe give Oscar-caliber performances. In fact the only criticism I have of either of them is that Denzel was acting a bit too much like Denzel. Other than that it was great. I wouldn’t be the least bit surprised to see American Gangster take a stranglehold on Oscar nominations.

Rating: ★★★★½

The Apples in Stereo live in concert
Got a chance to go see The Apples in Stereo at DC’s 9:30 Club last night. As usual they put on a great show, mixing in old favorites with the exceptional songs from their latest album New Magnetic Wonder. Frontman Robert Schneider proved once again you don’t have to be “cool” to lead a rock band (it’s hard to be cool when you’re trying to do a guitar power stance in flip flops…). At one point he used a beer bottle to fret his guitar, which would have been cool had the bottle not been full. Oops.

Seriously though, the nerd-rock vibe is part of the band’s charm. They speak to the everygeek in all of us.

NPR did a live webcast of the show, and you can hear it on their site.

Videos after the jump
Read the rest of this entry »

Superbad
Two words: Fucking hilarious. Move over Knocked Up, Superbad is the funniest movie I’ve seen this year. And soundtrack kicks ass. I should warn you though. Where Knocked Up was profane, but showed situations from men’s and women’s perspectives, so women could probably relate to it, Superbad is very profane and is TOTALLY from a man’s perspective. So I’m not sure how much the ladies are going to appreciate it.

The fine folks over at Filmspotting said something very appropriate in their review of Superbad: it takes really smart people to make good dumb comedies. Then producer Judd Apatow, writer/producers Seth Rogan and Evan Goldberg, and director Greg Mottola must be geniuses. And actors Jonah Hill (part of Rogan’s band of merry misfits in Knocked Up) and Michael Cera (George Michael from Arrested Development) are brilliant. Cera especially has mastered looking awkward for comedic effect. Overall the whole cast does a great job delivering the brilliant gags that Rogan and Goldberg came up with.

Rating: ★★★★½

Bonus:
Here’s one of the kick ass funk tunes from the soundtrack (featuring none other than Bootsy Collins himself):
Lyle Workman - Superwhat

And don’t forget to check out the R-Rated trailer

The Bourne Ultimatum
I have a hard time watching movies based on books I’ve read. The inherent differences between a two-hour movie and a full-length novel mean that the movie has to cut corners, sacrifice depth, and compress exposition. And often times the challenges of making a movie require wholesale changes to characters and plots. All of these things were present in Doug Liman’s 2002 adaptation of Robert Ludlum’s The Bourne Identity. Yet instead of feeling disappointment when I left the theater I felt nothing but exhilaration. Liman had managed to make me not care about the changes from the book by creating a different type of action movie: one that combined well-rounded characters and drama with impeccably executed chases and fights.
Read the rest of this entry »

The Simpsons Movie
Spider Pig, Spider Pig
Does whatever a Spider Pig does
Can he swing
from a web?
No he can’t
He’s a pig
Lookout, here comes the Spider Pig

If you’ve seen the trailer for The Simpsons Movie then you’ve heard these immortal words, and probably laughed. Well if you did, go see the movie. At the end of it I commented that the episodes for the last five years must have sucked because the writers were saving all the good ideas for the movie. I won’t go so far as to say it’s as good as the show was in it’s heyday, but the jokes are funny, the references are good, and there are enough inside jokes to keep die hard fans happy.

Movie Rating: ★★★★☆
Marketing Rating: ★★★★★

Transformers
Sitting in the theater waiting for Transformers to start I took a moment to think about my expectations. I tried to put aside my anger at the decision to “update” the robots and to make fundamental changes to their characters. I came to the conclusion that I was going to be angry about those things, no matter how hard I tried to repress those feelings. I was wrong. Way wrong.
Read the rest of this entry »

Evan Almighty starring Steve Carell and Lauren Graham

If you’ve seen the trailer for Evan Almighty then you know the basic gist: Evan Baxter (the ass clown newscaster from Bruce Almighty becomes a congressman, moves to Virginia, talks to God, and builds an ark. Baxter, played by The Office and 40 Year Old Virgin’s Steve Carell, becomes a modern-day Noah, gathering two of every animal in preparation for a flood. Along the way he must overcome the skepticism of his family and colleagues.
Read the rest of this entry »

Knocked Up, starring Seth Rogan and Katherine Heigl

It’s rare to see a movie that makes you laugh until you cry AND has moments of genuine tenderness, without falling into melodrama. But that’s exactly what you get with Knocked Up. It’s raunchy fun mixed with complex characters and relationships. There’s not a lot to be said about it except that if you want to laugh your ass off, go see it.

Rating: ★★★★½

Ocean’s Thirteen, starring Brad Pitt, George Clooney, and Matt Damon
Let’s turn back the clock to December of 2001. I left work in Baltimore, drove four hours to Pittsburgh, and arrived in a surly mood. But I agreed to go to a movie anyway (being the wonderful boyfriend I was). So it was another 25 minute drive to a movie theater. Then a 10:30 showing of a movie I really had no interest in. A remake of a heist movie I’d never seen, nor had any interest in seeing. Two hours later I left the theater convinced I had just discovered a new favorite movie. I can’t remember another time a movie so completely flipped my mood. The surliness was gone, replaced by the adrenaline of a successful heist, and the feeling that I was hip to a new Rat Pack style cool.

Fast forward six years. After an enjoyable but unremarkable sequel, Ocean’s Thirteen arrives to my most eager anticipation. It may be unfair to judge a highly-anticipated sequel against the original when there were no expectations for the original. It’s impossible for the sequel to live up. Or so I thought.
Read the rest of this entry »

Shrek the Third
I saw the third installment of the Shrek series tonight, and I have to say it was exactly what I expected it to be. It’s amusing and entertaining, but ultimately nothing terribly special. Shrek is still an ogre, and there are still jokes to be made about that. Ditto for Donkey and Puss in Boots. But in my opinion the best moment is when Snow White breaks into Led Zeppelin’s “Immigrant Song”. High comedy. All in all it’s a perfectly respectable entry in the franchise, and it’s worth seeing, especially if you have kids.
Rating: ★★★☆☆

Spiderman 3 Poster
Just got back from seeing a little film you may have heard something about: Spiderman 3. My reaction? Meh. I’m not asking for my money back, but I won’t be rushing out for the DVD either. Venom and Sandman were cool. Black-suited Spidey was also cool. So why the ambivalence? It was all just too much. Too many plot lines. Too many villains. Too much action in the action sequences.

That last point may not make sense. Allow me to explain. There’s a growing trend in action movies to film fight sequence in super-up-close shaky cam. I suppose the intention is to make you see what it’s like to be in the heart of the fight. The actual effect, for me at least, is I don’t a have a fucking clue what’s going on. And that may be realistic. Maybe in a real fight there’s confusion and uncertainty. But this isn’t real life. It’s a movie. I want to know what’s going on. Now if I could just get those kids off my lawn…
Read the rest of this entry »

Chk Chk Chk
I admit I know very little about modern indie-rock-electronica. And quite frankly I’m fine with that. Most of what I’ve heard of it hasn’t interested me in the least bit. Except for this week’s Spotlight artist, !!!.

That’s right. Their name is !!!. Apparently it’s pronounced as any three repetitive sounds, but most often it’s “chk chk chk”. The story goes that they got their name from The Gods Must be Crazy, where the subtitles represented the clicking elements of the bushmen’s speech with “!”. However they came up with the name, it has rendered them very difficult to find on Google (because Google completely ignores “!!!” when you type it in…go ahead…try it…).
Read the rest of this entry »

Apples in Stereo - New Magnetic Wonder
30 seconds into New Magnetic Wonder you have a pretty good idea what it’s all about. Once you hear the opening guitar riff and frontman Robert Schneider tells you to turn up your stereo you know you’re in for 100% unfiltered power pop of the highest degree.

The Apples trot out fuzzed-out guitars, vocoders, mellotrons, endless vocal harmonies and more hooks than a tackle box in crafting a masterpiece that merges the prog-pop of ELO with post-Sgt. Pepper Beatles. With it’s piano drive and wah guitar, “Same Old Drag” would fit nicely on Out of the Blue, while “Sun is Out” sounds like a deleted track from Abbey Road.

Same Old Drag

Sun Is Out

Upon repeated listening it’s hard not to notice the obsessive layering of the tracks, almost like Schneider has become a nerdy version of Brian Wilson during the Pet Sounds era. In fact, Schneider plays up the lab-rat image in a pair of bonus videos on the CD where he manipulates equations and explains the mathematical basis of music theory.

This math-geek perspective even led Schneider to create a new musical scale, based on a totally different mathematical concept than traditional scales, call the Non-Pythagorean Scale. Two compositions using the scale are included on the album (and a third is included in the CD’s bonus materials). These pieces sounds simultaneously foreign and comfortable. It will be very interesting to see how this new scale evolves as Schneider (an others) figure out the subtleties of it. (For more information on the scale and how it differs from typical scales, check out my writeup here)

Critics can claim that New Magnetic Wonder is derivative. I agree, but I don’t think there’s anything wrong with that. It’s an album that proudly wears its influences on its sleeve, and most importantly, the influences are good. It’s not like they’re derivative of Poison or The Carpenters. Anytime someone mentions Abbey Road and Pet Sounds in relationship to your album you’re going to be happy.

Is New Magnetic Wonder an early favorite for Best Album of the Year? Definitely. It may be favorite for Album of the Decade.

More Apples In Stereo coverage:
Explanation of the Non-Pythagorean Scale
Video for “Same Old Drag”
Story Behind New Magnetic Wonder
Video for “Energy”
“Energy”

Links:
Apples In Stereo site
Apples on MySpace
Buy New Magnetic Wonder at Amazon

Rating: ★★★★★

Slither Poster

Slither was recommended to me by someone who told me “It’s funny as hell. It’s like Tremors, but better! You’ll dig it.” I dug it alright. Not only is it much like Tremors but it also was one of the top ten horror movies of 2006 on Rottentomatoes.com. In fact, it’s #2, right behind the best scary movie since Alien, The Descent. There are scarier movies on the list (*cough* Silent Hill *cough*) but Slither is just downright entertaining!

Time to throw some “plot” at you! Ready? Rock falls from space. Thing shoots out of rock, into hick. Hick turns into squid/slug/ugly alien thing. Makes hick chick pregnant with worms. Worms take over town. Voila! Shake well, add Nathan Fillion (Firefly, Serenity) and presto! Instant horror classic! Ok, not classic, but it’s a hoot. Maybe even a hoot and a half. What makes it so fun is that it knows full well that it’s a B grade horror movie. It’s kind of like Evil Dead, where it’s just over the top enough. I’ve also heard comparisons to the genius that is Shaun of the Dead but Slither isn’t as clever. However, it’s just as hilarious.

Slither, for what it is, has a few recognizable actors in it, and that’s kind of surprising. Nathan Fillion plays the town Sherrif, Gregg Henry (Gilmore Girls) plays the mayor, and Michael Rooker (Mallrats) plays the unfortunate hick who gets all fugly. With a movie like this, names of characters mean next to nothing because there is no characterization. There are just archetypes that we know from hundreds of substandard movies and TV shows. It’s ok though, because who needs character arcs in a B grade horror movie? Fillion is the slightly sarcastic guy who carries a torch for another man’s woman, Henry is the loud, pottymouthed guy, and Rooker is just a hick. A horny hick. See? Who needs names?

What makes this movie so entertaining, and worth your time and/or money to see, are all the hysterical lines thrown in when shit hits the fan. To be honest, until things get weird and people (and pets) start dying, it’s kind of dull. There isn’t even some gratuitous nudity to keep us occupied until the funny starts. But once it starts, boy howdy. Nathan Fillion proves yet again he’s a master of comedic timing and great delivery. Anyone who has seen him on Firefly or Serenity knows that he can be very freakin’ funny. However, if for some reason you have no sense of humor, and just love over-the-top gore, well then this movie works for you as well! There are scenes of worm infested people spitting uberloogies at hapless victims, farm animals being mutilated, beheaded, and eaten, and even some dumb redneck being split in half (slowly, so he has time to blink a couple times in confusion before he has to split). If these reasons still don’t do it for you, then at least see it for Mr. Svenning covered in monster make-up. Think Rooker’s Mr. Svenning character crossed with a squid, have that combo mate with a slug, and that hideous love child will be close to what he looks like in the movie.

Honestly, this movie is worth seeing. Netflix it, download it, rent it, or borrow it. It’s a hoot. If you like awesome B horror movies (like me!) then you should just buy it right now. You won’t be disappointed. Now, if this movie only had Samuel Mutha Fuckin’ Jackson in it…

Pan’s Labyrinth Poster

I have seen the much talked about movie Pan’s Labyrinth and I must say that it was not what I was expecting. It in fact was much, much better. I was aware that the movie was in Spanish, and I had been told that it was spectacular. Hell, it has a 96% rating on Rottintomatoes.com. The highest praise I can give this movie is that it exceeded all expectations to the point where all the hype I’ve heard was nothing compared to actually seeing this film. It is, quite simply, stunning.

I’m familiar with some of Guillermo Del Toro’s other works, namely Blade II and Hellboy. In both it is plain to see that he shows some real talent behind the camera. Blade II was no masterpiece, but it was visually interesting, and overall entertaining. Hellboy was the step up from that, where one can see that movie and know that the director cared for the film and enjoyed making it. Pan’s Labyrinth will come to be THE film associated with Guillermo Del Toro. It is up for several Oscars, including Best Foreign Language Film of the Year, and is the only fantasy movie to have that honor. He has taken his visually appealing style and combined it with a masterful screenplay (also written by Del Toro) and crafted one of the best movies I’ve seen.

The basic plot of the movie is that Ofelia and her mother leave their home to join her mother’s new husbad, a captain in the facist army during World War II. While there she stumbles across a labyrinth, where she meets Pan (descriptive title isn’t it?). Pan tells her she is the long lost daughter of the King of the Underworld (not hell or anything like that). To prove that she is worthy, she must perform three tasks. That’s the basic plot, and it seems pretty simple. There’s much more going on that I don’t want to spoil.

The actors do an amazing job of creating their characters. Even the Captain has more going on in his eyes that shows you he isn’t just a murderer. The standout performance easily goes to young Ivana Baquero, who plays Ofelia. She’s only 12 years old and does a much better job at conveying emotion and creating a believable character than most actors in Hollywood. This is a good thing considering she more or less carries the movie.

While the rest of the movie is terrific, the real highlights of the film are the look and the tone. There is very little happiness in this movie, and the lack of bright colors and dreary setting match perfectly. This also helps to contrast the fantasy set pieces peppered throughout, where things have a bit more color, but not Lord of the Rings bright. However, at times this movie can be as brutal as it is beautiful. There are scenes of intense violence that, while not at Sin City level of being over-the-top, are just as vicious. I may be desensitized to violence, but seeing a man’s cheek sliced open even makes ME cringe. It isn’t excessive though, and is actually used sparingly.

The movie is rated R for “graphic violence and some language.” Graphic violence it has, no question. The language I’ll have to take their word for it seeing as how my Spanish is limited to Hola, Adios, counting, and El Burro. I will also say there is a bit of disturbing imagery along with the violence, particularly in the Pale Man character (played by Doug Jones, who also plays Pan). For those who haven’t seen it, picture an emaciated, pale man with skin hanging off the bone. He has no nose, but two holes in the middle of his head for nostrils, and he has no eyes, nor sockets to keep them. Instead, he puts eyeballs into the palms of his hands and uses those to see. Pretty freaky.

I’m going to steal a well-known rating system for judging this movie and give it four stars (****). I’ll even go one better and say it has the highest recommendation I can give a film. It ranks right up there with the greats, in my opinion. It’s not for everyone, but if you want to see something orignal, emotional, and beautiful, do yourself a favor and see this movie.

The Good ShepherdThe Good Shepherd is a rare breed of movie: a spy movie with no action. Unlike Matt Damon’s previous ventures into the world of intelligence and counter-intelligence, (the excellent Bourne Identity and Bourne Supremecy), this spy movie focuses on the man behind the spies. Where he came from. What motivates him. The struggles he goes through and sacrifices he makes to protect his country.

The failed Bay of Pigs invasion provides the centerpiece for a fractured narrative, jumping back and forth between flashbacks and current day. Damon plays Edward Wilson, a semi-fictional CIA agent responsible for the agency’s counter-intelligence. He comes from a notable New England family, attends Yale, makes the right connections, and works his way through the intelligence community’s ranks. He plans the Bay of Pigs operation and is responsible for finding out why it failed. Along the way he faces difficult personal and professional choices and stoically faces them all. Damon’s portrayal of Wilson is exquisitely subtle. He brings the character’s stoicism and devotion to his country to life largely through things he does not say, movements he does not make. His performance is a clinic in minimalist acting.

Director Robert DeNiro made this movie brilliantly compelling. He and cinematographer Robert Richardson do an excellent job capturing the contrast between the cloak and dagger world of the spy game and the suburban normality of Wilson’s home life. DeNiro masterfully doles out almost enough information to definitively conclude why events happen and what characters’ motivations are. He wastes no time jumping into the spy world, with it’s unique cryptic language and veiled agendas. He introduces characters without explicitly revealing who they are or how they fit the plot. He does not coddle the viewer or slow down to explain things. Rather he expects you to pay attention if you want to keep up. This makes the 160 minute movie move along at a quick pace, never seeming dull.

In the end, I feel like I missed some things, but that only makes me want to go back and revisit it. I highly recommend this movie, but only if you enjoy movies that challenge you. If you watch The Good Shepherd passively I would have to imagine it’s terribly boring. If you make the effort however, you will be greatly rewarded.
Rating: ★★★★☆

Starving Winter Report
It’s a little surprising to see country rockers come out of Detroit, but that’s where Deadstring Brothers hails from. If someone were to ask me to sum up Starving Winter Report in one sentence, it would be “If the Stones had made an entire album out of Honky Tonk Women, this would be it.” Lead singer Kurt Marschke sounds eerily like Mick Jagger at times, and the steel guitars and organs evoke the down home country funk on the Stone’s 1969 #1 single.

Overall it’s a solid second album for Deadstring Brothers. Catchy hooks, tight rhythm section, and solid lead and backing vocals. There’s a little lack of variation, as most of the songs are very similar in style, but luckily it’s a fun, upbeat style. Is it the most memorable album I’ve heard all year? No. Is it catchy enough and fun enough to revisit? Absolutely. And I bet these guys are a blast to see live.

Clips:

Sacredheart


Getupjake


And for good measure:
Honky-tonk-women

Thanks to Filmspotting for turning me on to another band (which is odd, since it’s a podcast about movies…)
Rating: ★★★☆☆

This afternoon I had a chance to see the new movie “We Are Marshall” starring Matthew McConaughey and in a word its PHENOMENAL!

The movie documents the rebirth of the Marshall University Thundering Herd football team after the tragic 1970 plane crash that killed 75 players, coaches, staff and boosters returning from a football game in North Carolina. But its not just a football movie, the movie also addresses the city of Huntington’s grief over losing so many of it’s citizens.

I’ll be honest however I was a little skeptical going into the movie. I was very familiar with the whole story long before the movie came out and wasn’t so sure how the story could be told “successfully” on film. I guess I was a little afraid it would be “Disney-ized” as was the real story behind “Remember the Titans” (but a movie I loved nonetheless). But my skepticism was quickly washed away mere minute into the film. The film documents the moments leading up to the crash and quickly switches to the town and school’s reaction to the crash as well as the subsequent grief.

McConaughey’s turn as head coach Jack Lengyel was very good as was David Strathairn’s role as University President Dr. Donald Dedmon. Ian McShane does a good job at grieving father/ university booster Paul Griffen, though I think I’m so used to McShane as Al Swearangen in HBO’s Deadwood that I forget he’s such a versatile actor.

But the real stars in this film (for my money) are Matthew Fox as Red Dawson, the only surviving member of the coaching staff and Anthony Mackie as Nate Ruffin a upperclassman player who was injured and didn’t travel to the game in North Carolina and was integral as the team captain of the rebuilt 1971 team. Both actors had hard emotional roles to portray and did tremendous jobs getting that across in screen.

All in all I felt that the movie was well shot, well written, well acted and has a great soundtrack. The movie also makes use of a great deal of music and television footage from the time period as a means to bring the story even more realism. But overall it’s the emotional aspects of the movie that drive it home. You feel the pain and anguish of the city and the surviving players and you want to cheer at the moments of triumph and joy. But most of all you understand why sports is such an important part of our culture, and even more, why loyalties to our alma mater’s or hometown college teams are so visceral and emotional.

For me this movie is easily in my Top 5 “Serious Sports Movies” list and is certainly “DVD-worthy”

For those not familiar with the story I highly recommend the great website put together by the Huntington Herald-Dispatch newspaper. Also Marshall University has a great site dedicated to the tragedy.

Little Miss SunshineA suicidal, homosexual Proust scholar. A win-at-all-costs motivational speaker. A Nietzsche-obsessed teenager who has taken a vow of silence. A foul-mouthed, heroine-using WWII veteran. A working mom desperately trying to hang on. And a precocious seven-year-old aspiring beauty queen. This is not the group of people you would choose to take a road trip with. But that’s what the directors of Little Miss Sunshine ask you to do.

At its core Little Miss Sunshine is a road movie. A family on the road, on a quest to get their daughter to a beauty pagent 700 miles away. It’s a comedy, so things go wrong along the way, and the oddly-matched characters don’t always get along. But there is more to it than that. The overriding theme is that it’s not only ok to be different, to be an outsider, but it’s actually preferred to conforming. Each of the characters represents this in some way.

Grandpa, the heroine-using veteran, has a “fuck you, I’m doing my own thing” attitude. He was kicked out of his nursing home for refusing to obey their rules. He doesn’t filter his speech for anyone’s sake. He started using heroine as an old man, because “that’s the time to do it”. He has lived a long life, and learned that the only path to take is one’s own.

Dwayne, the Nietzsche-obsessed teenager, has taken a vow of silence until he reaches his goal of going to the Air Force Academy to become a fighter pilot. He doesn’t have any friends. He proclaims early on that he “hates everyone”, including his family. He explains that all he wants from them is to be left alone.

Frank, the Proust scholar, recently attempted suicide because he had been pushed to the margins in all aspects of his life. He suffered through an unrequited love affair, only to lose the object of his affection to his professional rival. He lost his teaching job, his apartment, and his will to live. His life on the margins became too much for him to bear.

Richard, the father, is a failing motivational speaker, whose attitude is best summed up when he says “Sarcasm is losers trying to bring winners down to their level.” He serves as the foil to the individualistic characters, emploring everyone to be a winner, and ultimately to fit in.

A menagerie like this is difficult to pull off believably in a movie. The characters tend to become charactures, often to the point of making a mockery of themselves. But directors Jonathan Dayton and Valerie Feris manage to make each of these characters feel like real, three-dimensional people. Each of the characters faces challenges throughout the story and each of them changes in some way. In the wrong hands this movie could have turned into RV, or a bad knockoff of National Lampoon’s Vacation. It’s a testament to the directors that they managed to make if funny without being a farce. Absurd without being ridiculous. And sad without being maudlin.

There are enough funny moments in Little Miss Sunshine to categorize it as a comedy, but in calling it simply a comedy doesn’t do justice to the several heart-wrenching moments. So let’s just categorize it as “the best movie I’ve seen all year”.
Rating: ★★★★½